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SCHUMANN AND BRAHMSSCHUMANN AND BRAHMS


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Friday 12 Mar 2010

Ulster Hall

7.45 pm

£8 - £20 (£3 student standby)

Paul Watkins  
Conductor
Natalie Clein  
Cello   


Beethoven
Overture: Leonore No.1   
Schumann    
Cello Concerto  
Brahms
Symphony No.1  

Clara, Schumann’s wife, thought his Cello Concerto was vivacious, fresh and humorous – “giving the greatest pleasure to those who hear it”. History has confirmed her opinion! For the finale of his First Symphony, Brahms borrowed a theme he’d sent to Clara on her birthday. The music triumphs despite the long shadows cast by Beethoven. 

  
REVIEW
Belfast Telegraph 
Saturday 13 March 2010
Alf McCreary

 

Good week ends with stunning performance 

It's been a good week for the Ulster Orchestra with news of more Arts Council funding after a lean year, and there was more cele­bration last night for the appear­ance of distinguished principal guest conductor Paul Watkins.

This was a truly 'classical' pro­gramme with Beethoven, plus Schumann and Brahms whose destinies were so intertwined.

The Schumann Cello concerto was performed with great virtu­osity by Natalie Clein.lt was no coincidence there was such inte­gration between the soloist and or­chestra, given that Paul Watkins is an outstanding cellist in his own right. There was also the considerable treat of a Bach encore.

The Brahms Symphony No I, which took so long to complete because the composer felt overshad­owed by Beethoven, is a mighty work and last night the orchestra gave an assured performance, full of power and subtlety.

The slow movement was partic­ularly compelling and the rich fi­nale with its beautiful theme ended in a suitable triumph to lengthy audience acclaim. This was a memorable appearance by Mr Watkins in his new role and a very fine Brahms 1 indeed.

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