Beethoven Overture: Leonore No.1 Schumann Cello Concerto Brahms Symphony No.1
Clara, Schumann’s wife, thought his Cello Concerto was vivacious, fresh and humorous – “giving the greatest pleasure to those who hear it”. History has confirmed her opinion! For the finale of his First Symphony, Brahms borrowed a theme he’d sent to Clara on her birthday. The music triumphs despite the long shadows cast by Beethoven.
REVIEW
Belfast Telegraph
Saturday 13 March 2010
Alf McCreary
Good week ends with stunning performance
It's been a good week for the Ulster Orchestra with news of more Arts Council funding after a lean year, and there was more celebration last night for the appearance of distinguished principal guest conductor Paul Watkins.
This was a truly 'classical' programme with Beethoven, plus Schumann and Brahms whose destinies were so intertwined.
The Schumann Cello concerto was performed with great virtuosity by Natalie Clein.lt was no coincidence there was such integration between the soloist and orchestra, given that Paul Watkins is an outstanding cellist in his own right. There was also the considerable treat of a Bach encore.
The Brahms Symphony No I, which took so long to complete because the composer felt overshadowed by Beethoven, is a mighty work and last night the orchestra gave an assured performance, full of power and subtlety.
The slow movement was particularly compelling and the rich finale with its beautiful theme ended in a suitable triumph to lengthy audience acclaim. This was a memorable appearance by Mr Watkins in his new role and a very fine Brahms 1 indeed.